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Simple and unassuming in her living she, however, is very clear about her individual concept of what constitutes good music – the emphasis being on 'swara' (notes) and laya (tempo). Correctly and lovingly approached notes and a keen, internalized sense of tempo and rhythmic cycles (taala) are a must for music to be effective, she emphasizes. Her love for the accuracy and sanctity of notes she attributes to her first Guru, Pt. Pimpalkhare of the Gwalior Gharana, and the latter to her training under the late Shreemati Mogubai Kurdikar of the Jaipur Gharana. From Pandit Gajananbua Joshi, she imbibed elements of the forceful and majestic Gwalior Gharana. |
